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… And what about middle-class households?


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… And what about middle-class households?
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Julia Teresa Friehs
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In Biedermeier households, the parlour was not only the centre of family life; it was also used as a means of distinguishing and displaying social status.
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In an era of rapid technological change, social upheaval and severe repression from the state – any statement intended for publication was subject to censorship – people turned to innocuous amusements. They withdrew to the cosy haven of their own four walls, with light-filled rooms furnished with striped and flowered wallpaper, curtains and upholstery.

Similar to the separation of functions in aristocratic households, living quarters were divided into kitchen, bedroom, living room and dining room. Where this was not possible due to limitations of space, small areas or corners within rooms were used for particular activities and furnished accordingly. New types of furniture emerged – secretaires, cupboards, tables and suites of seating furniture were reduced and designed upon functional rather than ornamental lines, although they still featured precious intarsia and marquetry work. Special periodicals devoted to interior design disseminated the new taste.

The Biedermeier era saw a boom in trade and industry – for example the silk-weaving industry or cabinet-making and upholstery. Various different trades and crafts were involved in the interior decorating business: painters, ceramic stove-fitters, carpenters, cabinet-makers, parquet manufacturers and bronze workers. The upholsterer and paper-hanger now took on the role of interior decorator.
Nature found its way into the home: flower boxes and pots were placed outside windows, birdcages and painted screens decorated rooms, display cases were filled with an array of floral porcelain, painted glasses, ornamental boxes and silver. Emperor Franz II (I) also enjoyed gardening.

Nature was not only worshipped in the home: Franz II (I) started a trend by choosing the spa resort of Baden as his summer residence. The Court household and the higher nobility followed in his footsteps. The wealthier members of the middle classes followed suit and flocked to the spa town or moved to their country houses to spend the summer. Some went on ‘excursions to the country’ to the Kahlenberg (the hill to the north of Vienna), or decamped from the city to Vienna’s ‘backyard mountains’, the Rax, Semmering and Schneeberg, using the southern railway line completed in 1842.

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Öhlinger, Walter: Wien im Aufbruch zur Moderne, Wien 1999 (Geschichte Wiens 5), 32–35; Ottillinger, Eva B.: Die Aktualität des Interieurs. Wiener Wohnkultur vom Biedermeier zum „Zweiten Rokoko“, in: Zeugen der Intimität. Privaträume der kaiserlichen Familie und des böhmischen Adels. Aquarelle und Interieurs des 19. Jahrhunderts, Katalog zur gleichnamigen Ausstellung, Schallaburg, 26.4.–26.10.1997, 5–22; Pippal, Martina: Kleine Kunstgeschichte Wiens, München 2000, 88–98; Pohanka, Reinhard: Eine kurze Geschichte der Stadt Wien, Wien/Köln/Weimar 1998, 161f.;
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